So here’s my knitting blog. Note, no knitting content yet. Give me a chance! Believe it or not, I’ve actually spent weeks — months, maybe — working on getting a blog up. Now, I’m no web newbie. I put my first webpage up about 6 years ago. But this blog business is not obvious, I’m sorry. How are these total newbies doing it?? Even though I can code in php and write html and css and edit images, I’ve still spent a very surprising amount of time scratching my head.
Enough with the kvetching. It’s up.
Okay, some pix. Latest FO, a blanket for my sister’s birthday, which was (cough, cough) in May, in colors she requested. It is not, however, in a size she requested. She figured on maybe a throw. She has a twin size bed. This is being shown on my full-size bed in my none-too-neat room, most (but not all) of which I’ve artfully hidden from your view:

I’ve been working on this thing, one way or another, since January. See, I made a Colinette AbFab Throw for my brother and sister-in-law for Christmas, and ran out of several of the yarns that came with it, and had to replace them to the tune of around $24 a skein — plus overnight shipping from several different places since I couldn’t find them anywhere around here, and the thing wound up costing me like $300 to make. So I thought, Jeesh, these look like Henry’s Attic yarns, I could just buy my own undyed yarns and dye them and make this for a fraction of what these guys are charging.
Well. Now I know why they’re $24 a skein.
First, they’re not white, they’re natural. Fine if you’re dying jewel tones, but my sister wanted white and turquoise.
So. Bleaching. Found a wool bleaching recipe on the ProChem site, using soda ash and serious concentrations of hydrogen peroxide. So I ordered a bunch of stuff from Dharma Trading, looked around in beauty supply shops for strong peroxide, and started collecting yarns…Long story short, this thing cost — Oh, I don’t know, but definitely more than the $300 I spent on the Colinette throw. But I learned a lot. And I have a lot of yarn left over, undyed, heh heh.
10 different yarns, cottons, rayons and a blend. Also an alpaca, a silk and a mohair loop — I left all those undyed, but I did try to lighten the mohair and silk. The silk wasn’t completely degummed, which made for some interesting aromas. Per the book Yarns to Dye For, I wound seven different yarns into 40-foot skeins on a warping board borrowed from my friend Garen from my spinning guild, so I could space-dye them.
I saw several different recipes for that. One said to put soda ash in the dye solution, another said to pour a soda ash solution on the skeins after hand-painting, another said to soak the skeins in a soda ash solution before painting. I tried the first two first, and all the colors ran together. For the last two skeins, I soaked in soda ash first, and got the different colors to strike before running together on those skeins, which you can sorta see in the next two photos.

Then getting the (mostly 8 oz.) skeins (yes, there’s about 5lbs. of yarn in there, but it feels like more…) back onto the warping board and wound — by hand — into balls was a trip.
Quite an adventure, eh? Understand that each of these steps took several days, if not weeks, since I could only work on one or two yarns at a time, due to space considerations, and you’ll understand why this took months to do. The knitting alone was upwards of six weeks, and that was the least of it. Started with the center rectangle in a staggered version of feather-and-fan,

then picked up around the perimeter and worked outward. And outward. And outward. Changed yarns every 4 rounds. In the border, only worked a pattern round every 8th round. Tried to use smoother yarns on pattern half of the repeat.
Next time I take it into my head to do a blanket this big, it’s going to be in squares. But I like dyeing, messy and time-consuming as it is.
Couple WIPs for you. Here’s a long-standing one, this is nearly a year old, a lace shawl based on one in the Martha Waterman book only I doubled it to make a split-front circle, and added an edging-as-you-go, in some taupe laceweight stuff I got on a cone at Weavers’ Cottage. This’ll be awhile yet.

Here’s the most recent one, just started last night at WeHo Stitch’n'Bitch:

It’s the Elizabeth Zimmerman Stonington Shawl from the Best of Knitter’s Shawls and Scarves book, pictured. I’m doing it in a faux-mohair acrylic, which I normally avoid, but there’s a reason…Details when it’s done.
See what happens when you wait too long to start a blog? You get this huge backlog of stuff to post. There’s more, but I’m too fried to dig it up and take pictures. Or dig out the pictures I already took.